Monthly Archives: January 2010

[REVIEW] The Road to Hell – Jackie Kessler

Jackie Kessler
The Road to Hell (Hell on Earth, Book 2)
Kensington Zebra (US: 3rd November 2009); Hachette Piatkus (UK: 3rd February 2011)
Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

Jezebel’s BFF is being terribly tortured, and the only way she’ll be released is by Jez returning to Hell. But she was betrayed, so the ex-succubus refuses. The game steps up when the Queen of the Succubi steals the innocent soul of Jezebel’s human lover, and now Jez needs her incubus lover to kill her – and return her to the very place from where Jez has been running.

Jackie Kessler’s character-driven romp has more depth than the surface reveals. Megaera is so psychologically screwed-up, but never stops trying to put Jezebel first. Angel has been forced into a new life the polar opposite of the one she’s been used to, and the way Jezebel warms up to her and mentors her is oddly charming. The plot is kind of minor, but the characters, their decisions and their interactions provide plenty of food for thought, and hopefully Meg and Angel will return for future episodes in this spunky series.

P.S. Yes, I totally had audio thoughts of Peter Griffin whenever Jezebel said, “Shut up, Meg.” ;-)

[COVER ART] Laurell K. Hamilton’s BULLET & Jessica Verday’s THE HAUNTED

US covers for both Laurell K. Hamilton’s Bullet and Jessica Verday’s The Haunted (Evan Schwartz did the art for this one).

Bullet: Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)
The Haunted: Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

[REVIEW] Black Is for Beginnings – Laurie Faria Stolarz

Laurie Faria Stolarz (Adaptation by Barbara Randall Kesel; artwork by Janina Görrissen)
Black Is for Beginnings (Blue Is for Nightmares, Book 5)
Llewellyn Flux (US: 1st September 2009)
Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

Jacob LeBlanc has returned to Colorado, recovering from amnesia. But even while he was living in Massachusetts, there was one thing he “forgot” to tell Stacey Brown about – his girlfriend back home.

An epilogue to the fabulous Blue Is for Nightmares series, this graphic novel lacks the tense suspense that made the first four text-only books so awesome. The dreams and magic are here, as are Stacey’s pals, but this romance really could’ve used a plot that wasn’t just about their relationship. Recommended for graphic novel fans only (this format just doesn’t work for me), regular BIFN readers who skip this aren’t missing out on anything important.

[COVER ART] As Lie the Dead – Kelly Meding

Cover for Kelly Meding’s As Lie the Dead. Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

[REVIEW] Road Trip of the Living Dead – Mark Henry

Mark Henry
Road Trip of the Living Dead (Amanda Feral, Book 3)
Kensington (US: 24th February 2009)
Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

Ethel Ellen Frazier is about to cark it, so daughter Amanda Feral is road-tripping for closure’s sake. There are some murders along the way, but this plotline isn’t clear enough, which is strange, because murders should have major focus. But reading Amanda Feral for the plot is like watching Toddlers & Tiaras for the role models: we all know that’s not why you’re here. You want characters more effed-up than you, and fashionista zombies certainly are. Namely ones who use tampons as butt plugs. It’s not a secret if you mention it in your memoir, bitch ;-)

Had this been any other author’s novel, Amanda would be relegated to BFF/sidekick status, her comic relief not allowed to lead full-time. Mark Henry wisely casts her front and centre, creating a character as psychological as she is superficial. And though she’s an undeniable bitch, Amanda also manages to make a new friend, bringing her female circle to three. There isn’t a love interest, but there is a lust one. Problem is, he’s into dirty talk, and not dirty in a good way – it’s just embarrassing, laughable. The crafty author doesn’t bother romanticising the situation, instead keeping characters truly flawed (as opposed to other novels’ so-called “flawed” characters, whom Amanda would totally shit on like it’s bucket night). Things are kept real and rip-roaring, relationships as unhinged as Amanda’s jaws.

Considering she’s like the bastard lovechild of Fuzzy Door Productions and South Park Digital Studios, our high-heeled heroine’s escapades would be better suited to half-hour animated TV comedy episodes. In the meantime, Battle of the Network Zombies is due out in late February 2010 – buy it, y’all!

[COVER ART] Moon Sworn (Keri Arthur)

UK cover for Keri Arthur’s Moon Sworn.

Moon Sworn Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

[COVER ART] Eric Garcia’s REPO MEN & Jackie Kessler UK News

US re-release cover for Eric Garcia’s Repo Men. The novel was originally published last year as The Repossession Mambo, but has been retitled to match the upcoming film based on the book.

The Repossession Mambo Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)
Repo Men Buy (US) Buy (UK) Buy (Worldwide)

In other news, many congratulations to Jackie Kessler. Piatkus has bought the UK rights (and likely Oz rights, too) to the first three novels in the Hell on Earth series. Look for them in the UK in 2011.

Hell’s Belles Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)
The Road to Hell Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

[COVER ART] Red Hot Fury – Kasey Mackenzie

Cover for Kasey Mackenzie’s Red Hot Fury. Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

Emotionally Manipulative Avatar & Its Character Development

Avatar (in 2D) wowed me. It shouldn’t have, since I’d read an extensive plot summary from Wikipedia. The visuals don’t really seem spectacular until at night, when bioluminescence comes into play. Particularly in scenes with humans, the avatars are a bit strange – they, and the Omaticaya, look rather skinny, as they’re so tall, but their builds may not be accurately proportioned. And the military’s massive human-controlled robots (?) remind me of Richard Nixon’s Head with a super-robotic body in Futurama. Kind of funny.

The characters really grabbed me. I didn’t just witness or feel the emotions, but also understood how they were created, thanks to my recent study of Victoria Lynn Schmidt’s fabulous text on archetypes, 45 Master Characters. Neytiri is so Artemis – like Futurama‘s Leela, for example. A natural leader, smart, confident, strong, agile…and has to teach an Earth-born eejit many lessons in life. And she’s so expressive – words, sounds, actions. Could be common in the Na’vi culture – they don’t hold back. They take life by the balls. And Neytiri has a gorgeous accent, kind of like Spanish. Other characters sound more African, Caribbean, and Māori – just like we who speak English have different accents.

It’s undeniable that Jake Sully is, at first, too stupid to live. When his avatar is activated, he disobeys orders to take time adjusting to his new form – he runs into the great outdoors, facing it full-on. Ends up alone in the forest. Touches things he shouldn’t touch. Fights with animals (shoot first; ask questions later); needs to be rescued. Knowledge is sorely lacking. But once he has the intelligence, Jake’s a much better warrior. His curiosity and willingness to learn are great traits, and he’s not just about the mission – he’s finding himself, which sounds rather cliché, but is handled so well.

In short, Jake is a prime example of character development. He changes, and for the better. Unafraid and willing to accept help. Knows his strengths and weaknesses – the humans and the military are his strong points, and Neytiri knows Pandora and the Na’vi. And when it comes to their relationship, he lets Neytiri take the lead – the “choosing” scene is kind of sweet.

Usually romances in fiction don’t work for me because I don’t care for, or like, the characters – or if I do early on, they change in an annoying way once hooked up. But this romance is understandable, and thus works. Though she’s unimpressed to be teaching Jake at first, as he gains education and skills and spirituality, Neytiri becomes rather proud of him. She plays a major part in changing Jake for the better; he’s like her creation. Neytiri is pretty darn strong at the beginning, but this must improve her self-esteem, nonetheless.

They’re both kind of dour characters at first, so seeing them grow to smile and laugh together is just charming. They work for this relationship. Learn to respect and then trust each other, before ever thinking of lust or love. Eywa’s signs of approval put Jake in a positive light for Neytiri. Love me, love my People. Love my animals. Love our Eywa. This is shown rather than told, as Jake must match up on those levels before engaging Neytiri.

And Jake doesn’t just snatch the lead of the Na’vi. He doesn’t want to fight Tsu’tey, but does when drawn into it. He gains trust by connecting with the animals…and by asking Tsu’tey permission to address his People. Mind you, Jake didn’t really volunteer for the Avatar programme, anyhoo – it was for his identical twin. (How did Tom die, by the way?) He’s so depressed when he has to go back to human form, and I got teary, too.

Even in the big battle, he and Neytiri still operate quite efficiently alone – they can’t watch each other’s backs; they’ve got too much to do. Often in fiction, characters seem to lose independence when in a relationship, but our two blue friends enhance each other’s lives – and separate, they’re not helpless.

In this film at least, James Cameron writes women better than he writes men – pilot Trudy is pretty damn cool, too, another great kick-arse woman. Neytiri is awesome from the get-go, but “the story belongs to the character who changes the most” (so I read somewhere), so sensibly Avatar is Jake’s story. His development is critical to connecting with other characters – and earning the audience’s respect.

James Cameron knows his archetypes, and the result is emotionally manipulative, damn it…

The Mammoth Book of Time Travel Romance – Trisha Telep (ed.)

Trisha Telep (ed.)
The Mammoth Book of Time Travel Romance
Constable & Robinson (UK: 29th October 2009); Perseus Running Press (US: 7th December 2009)
Buy (US) Buy (UK) Buy (CA) Buy (Worldwide)

This is not a review, on account of I didn’t read every story, and I skim-read some. In short, I wish my favourite stories were available for individual sale. Initially I tried to give every story a chance, but there’re only so many American-lady-in-historical-Scotland/Ireland stories that I can tolerate. The dialogue of those historical “rogues” is annoyingly written in dialect. I like Scottish and Irish accents, but I want to hear them – not read them. For better or worse, books are not the best format for accents – you need audio for that.

Gwyn Cready: The Key to Happiness “Besides, doesn’t everyone hate the White Stripes?” I have no problem with the White Stripes. I do, however, hate the music of My Chemical Romance, 30 Seconds to Mars, Paramore, Taylor Swift…

Sandy Blair: MacDuff’s Secret “Ye yank on coos, lads. Those with teats!” Ordinarily, dialect writing would majorly piss me off. However, at the time of reading, I was heat-frazzled, and desperate for humour – any humour. (By the way, “coos” translates to “cows”.)

Sara Mackenzie: Stepping Back Set in drought-ridden Victoria (my state), in which a reservoir is the time portal – pretty interesting.

Michelle Maddox: The Eleventh Hour I love the author’s Countdown novel, and I love this short story, too. Though Michelle Rowen has since retired her Maddox pseudonym, hopefully she’ll continue writing futuristics – she’s bloody good at them!

Holly Lisle: Last Thorsday Night This story contains some of my most-hated tropes (pun in the title, characters who are writers), but otherwise is well told.

Michele Lang: The Walled Garden My favourite of the anthology, though I didn’t really understand Mellon. But Mireya Rodriguez is easy to relate to, and memorable – a wonderful protag.

A. J. Menden: Future Date Is Serena here (secondary character) the same Serena from the Elite Hands of Justice series? I rather enjoyed the story, but the ending confused me – why couldn’t Herman stay in the present, so Ella wouldn’t have to leave?

Maureen McGowan: Lost and Found
Margo Maguire: Sexual Healing
Sandra Newgent: The Wild Card
Patrice Sarath: Pilot’s Forge
Jean Johnson: Saint James’ Way
Patti O’Shea: The Troll Bridge
Autumn Dawn: Iron and Hemlock
Cindy Miles: The Gloaming Hour
Michelle Willingham: A Wish to Build a Dream On
Colby Hodge: Time Trails
Madeline Baker: Catch the Lightning
Jean Johnson: Steam
Allie Mackay: Falling in Time